| Ricardo D. Trimillos |
From the Editor |
1 |
| Articles |
|
| Jeroen Groenewegen-Lau |
Steel and Strawberries: How Chinese Rock Became State-sponsored |
3-33 |
| Gibb Schreffler |
"It's Our Culture": Dynamics of the Revival and Reemergence of Punjabi Jhummar |
34-76 |
| Roald Maliangkay |
There Is No Amen in Shaman: Traditional Music Presevervation and Christianity in South Korea |
77-97 |
| Lisa M. Cook |
Venerable Traditions, Modern Manifestations: Understanding Mayuzumi's Bunraku for Cello |
98-131 |
| |
|
|
| Book Reviews |
|
| Lawrence Ross |
Edi Nasution. Tulila: Muzik Bujukan Mandailing [Tulila: Mandailing Seduction Music] |
132-135 |
| Jennifer Milioto Matsue |
Heather MacLachlan. Burma's Pop Music Industry: Creators, Distributors, Censors |
135-138 |
| Yu Hui |
Alan R. Thrasher. Sizhu Instrumental Music of South China: Ethos, Theory, and Practice |
139-142 |
| Ying Diao |
Frederick Lau. Music in China: Experiencing Music, Expressing Culture |
142-144 |
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| Review Essay: Two Studies on Chou Wen-Chung |
|
| John Winzenburg |
Peter M. Chang. Chou Wen-Chung: The Life and Work of a Contemporary Chinese-born American Composer |
145-154 |
| |
Eric C. Lai. The Music of Chou Wen-chung |
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About
the Contributors |
155-157 |
| |
| Asian Music Volume Contents |
Winter/Spring
2014